Reporting & Writing
Words, with Intention
Words, with Intention
My writing career has largely been driven by an interest in how language shapes power, credibility and perception. Across reported pieces, criticism, and analysis, I focus on clarity, precision and structure, and pay close attention to sourcing, framing and developing my voice over overt opinion. Even when engaging with politically or culturally charged subjects, my goal is to let evidence, context and careful language do the work.
Much of this work sits at what I would define as the intersection of institutions and individuals: how policy decisions affect students, how cultural systems reveal their values and how people navigate structures larger than themselves. I’m drawn, always, to stories that reward close reading and thoughtful reporting, and I revise with the same rigor I bring to editing — questioning assumptions, sharpening claims and resisting unnecessary flourish. The following pieces reflect that approach: deliberate, precise, and grounded in attention to how stories are told as much as what they say.
All of my work can be found here, but I decided to pick out some highlights for this page.
Hall of Fame
The following pieces represent the best of my work for the U-High Midway.
2025 Illinois Journalism Education Association: First place, in-depth news story
Best of SNO winner
This story required not only pretty thorough research, but also several interviews with experts in the field. There was something intimidating about writing a piece on a topic I wasn't already well-versed in, but that also meant that writing this story taught me not only about AI itself but also how to get professional sources on the record and organized throughout stories in a way that remains comprehensible to the reader.
2025 National Scholastic Press Association Digital Story of the Year, Podcast: third place
2025 Illinois Journalism Education Association: First place, audio Journalism
Best of SNO winner
I wrote the script for this audio piece before actually going to the game (rookie mistake), and had to rewrite it after attending because my angle completely changed. It was, I think, a masterclass in flexibility and changing my mind; and it was so worth the extra work. The piece did well on the national stage as well as at my school, and the students from the D&D group (which was my real audience) were thrilled with the piece. It taught me that when you realize that you have to change your work to account for a new idea or information, it's always worth the time and trouble to get the story just right.
Best of SNO winner
This review of Guillermo Del Toro's Frankenstein film is one of my favorite pieces I’ve written because it allowed me to move beyond summary and into interpretation. Instead of evaluating the film on its own terms, I used it as a lens to engage with Mary Shelley’s novel (one of my favorite books of all time, I should clarify), tracing how cinematic choices illuminate themes of creation, responsibility and loss. Writing this piece felt like a turning point for me: I wasn’t just reporting or reviewing, but articulating an argument through close attention to language, structure and meaning.
Best of SNO winner
In my staff bio on the Midway website, this story is listed as my favorite I've written — which wouldn't be wrong. Art classes and teachers are aspects of my school that are incredibly important to me, and I felt honored to be entrusted with this story amplifying their voices. I think that sometimes at U-High, art and english courses are undervalued in comparison to the more STEM-oriented ones, and so when I get an opportunity to tell stories about art teachers or student artists, writers and translators, I make it my absolute top priority to bring attention to that area of our school.
This profile was challenging, because Eric Williams isn't affiliated with U-High. I had to manage our interview schedule without any of the structure that I usually have (free periods, lunch breaks, etc.) — but it was among the most rewarding stories I've written. Interviewing Mr. Williams about his life and entrepreneurship felt more like conversations than formal interviews (I sometimes struggle to lose myself in interviews and generally stick to the script), and I truly felt like I was giving a voice to my community beyond just my school. When the profile came out, Mr. Williams sent me a fountain pen from his store with a note that said "keep writing!" I make all of my page corrections with that pen now.
My co-EICs and I had this story written and published in — and you're reading this right — 90 minutes. It's the most intense breaking news experience I've ever had, and I think easily the most valuable — I had a phone to one ear with a U-High teacher on the line, and my laptop in my other hand typing out an email to our principal. It felt like I was actually living in All the President's Men, and it taught me so much about being careful about writing the truth while under immense pressure.
More Writing
News
My co-EIC and I worked hard to make this story as thoughtfully done as possible, since the topic was sensitive. The goal was to inform the U-High community about this conflict without taking sides as journalists.
My goal with this Q&A was to ask the new Interim Director all of the questions that the student body wanted him to answer, not just the ones that were on my mind. I asked around my school in the week leading up to the interview, and took notes on what my classmates were wondering.
I wrote this story after the Midway team noticed a lot of rumors swirling around about our school's financial situation. My goal was to clear up the misinformation and offer students a trustworthy source of facts about what they did and didn't need to be worried about.
My goal with this story was to give a voice to the faculty who were uncomfortable with the addition of a new administrative role at U-High amid massive budget cuts. I had to choose my interviews carefully and act as a conduit for the voices of teachers who didn't feel comfortable speaking out, but had thoughts to share.
This was a news story with more room for creativity in how I wrote it, so I tried to take advantage of it by painting a detailed picture of the graduation event. My goal was to do justice to the wild joy and sentimental sadness at last year's graduation ceremony.
My goal with this story was to serve as the students' voice on an important issue at our school last year. The budget cuts were a large topic of conversation among students, and I wanted to make sure the Midway used its platform to make the opinions of students heard.
Features
For this feature, my goal was to capture why physical records are resonating at U-High despite the dominance of streaming platforms. I spoke with classmates who collect and listen to vinyl and took detailed notes on their experiences so the piece would reflect a range of perspectives from the student body, not just my own curiosity.
My goal with this piece was to move beyond anecdote and examine what was actually driving declining engagement with the arts. I used careful sourcing and attention to tone to allow the story to address a sensitive topic without assigning blame or oversimplifying the issue.
With this story, I wanted to capture how a local market functions as a sort of cultural crossroads for students and community members. I observed the market firsthand, spoke with vendors and visitors, and wove those perspectives into the narrative to reflect the market’s significance beyond its products.
For this piece, rather than write a simple summary of the activity, I wanted to focus on capturing how the simulation unfolded and what students took away from it. I spoke with classmates about their reactions and incorporated their voices to give readers a sense of how the activity shaped engagement with the material.
Arts & Entertainment
2025 Illinois Journalism Education Association: First place, review
Rather than write a standard arts review, my goal with this piece was to explore how this staging of A Raisin in the Sun connected to broader conversations about equity, aspiration, and identity. I wove in context about the play’s history so the piece would situate the production within both its artistic lineage and its relevance to the present moment.
2025 Scholastic Press Association of Chicago: entertainment review, superior
For this review, I focused on how The Goodman's choices highlighted messages that might surprise even longtime fans of the story. I chose to emphasize how artistic decisions rather than novelty carried the production’s meaning and shaped its contemporary resonance.
2024 Illinois Journalism Education Association: Second place, review
For this movie review, I wanted to balance an honest assessment of performance with a thoughtful critique of narrative structure rather than produce unthinking praise or dismissal. By focusing on specific scenes and character portrayals, I tried to show how the acting elevated the material even when elements of storytelling felt uneven.
2024 Illinois Journalism Education Association: First place, review
This review was one of my first, and rather than offering simple praise, I wanted to focus on how the series balanced fidelity to its source material with the demands of a new medium. I drew on specific examples from episodes to show how that balance contributed to an adaptation that feels both respectful and fresh.
Opinion
My goal with this column was to confront common misconceptions about journalism by grounding my argument in both industry challenges and its democratic function. Rather than simply asserting its importance, I examined specific pressures facing the field and explained why its role remains vital in today’s media landscape, using first-person language and voice to emphasize my perspective as a student journalist.
In writing this opinion, I wanted to call attention to a specific issue of transparency at my school and explain why it matters for trust between students and administrators. Rather than purely criticizing the administration, I wanted to ground my argument in the principle that clear communication strengthens community engagement and accountability.
For this column, my goal was to use Wicked and its cast as a lens to explore how popular media can normalize problematic ideas about gender and body image, especially toward young girls and women who are fans of the media and the celebrities that convey these messages. The piece was crafted to make readers think about the media they consume and the messages it carries.
With this opinion piece, my goal was to challenge the idea that feminist movies are defined by rhetoric rather than by how well they develop their female characters. I used specific examples from recent movies to argue that representation in depth matters more for cultural impact than the presence of overt feminist language.
Sports
For this season wrap-up, I wanted to highlight the arc of the team’s performance, the key moments that shaped their run, and what the regional finals loss meant in context. I related game details to broader themes of resilience and teamwork in order to give readers a fuller sense of the team’s journey rather than just a summary.
I structured this piece specifically to convey how every point mattered in a tightly contested state championship that ultimately crowned U‑High. I believe athletic performance becomes more meaningful when readers understand the pacing and tension of key matches that defined the team’s run.
With this recap, I wanted to shift the focus from the team’s record to the individual progress and resilience players demonstrated throughout the season. By highlighting personal victories and moments of growth, the story shows that a season can be meaningful even when the scores don't reflect success.
With this piece, my goal was to highlight the accomplishments and legacy of alumni who helped shape the school’s athletics culture over many years. Rather than simply announcing the induction, I focused on the honorees' contributions and what they mean to the broader Lab community.